Title
Theatre And Democracy
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This Collection Of Essays On Democracy In Performance Is Timely. It Comes At A Time When The Very Basis Of The Notion Of Democracy Has Been Evacuated From Its Original Premise Onto The Will Of The Individual By Political Systems And Transnational Enterprises. With These Essays, Traces Are Made At The Intersection Of The Global And The Local, Between Modernity And Tradition, Of Performance Practices That Are Affected, Troubled, Or Defined By The Pull Of Competing Political Discourses. Performances Of Resistance Against Global Forces, Or Other Hegemonic Regimes (In Terms Of Gender, Class, Or Race) Are Highlighted And Analyzed. The Contributions Emerged From Conferences Organized By The Indian Society For Theatre Research, And Its Progenitor (In 2003), The International Federation For Theatre Research. For The Local To Envision The Global Is To Seek Out Points Of Connection On A Transnational Basis. The Majority Of These Essays Deal With Asian Examples Of Performance. Contents Include: Transnational Theatre And Gender: The Implicit And The Explicit * Jatra And The Marginalization Of Mythological Themes * From Staging Gender To Rehearsing Sex: A Space Of Freedom Among Theory And The Dead Meandering To Assist With Resistance * The Irony And Paradox Of The Effects Of Democratic Governance On The Development Of Indic Theatre In South Africa * Characteristics Of Korean Traditional Plays * Cultural Hybridity: A Study Of The Christian Performance Tradition Of Kerala * Performing History Of Han In Korean Theatre: Park, Johyeol'S Play Toenails Of General Oh * Democracy, Social Change And Theatre * Understanding And Misunderstanding Japanese Theatre * The Politics Of Reading Folk Theatre Traditions * The Indian Women: Transformation Into A Real Self * Performing Dalit: Echoing Multilayered Political Undertones In M. Mukundan'S Oru Dalit Yuvtiyute Kadana Katha * Stage For Humankind: Contestation Of Native Knowledge And Global Knowledge On The Malay Theatre Scene * The Politics Of Working Class Racism: Sing Yer Heart Out For The Lads By Roy Williams, Royal National Theatre, London * History In Performance: Cultural Activism In The Plays Of Girish Karnad * Puppeting A Joruri: Is It Really Needed To Be A Theatre?
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- Q: What is the page count of 'Theatre and Democracy'? A: This book contains two hundred pages. It offers a collection of essays that delve into the intersection of democracy and performance.
- Q: What type of binding does this book have? A: It is a hardcover book. This binding type ensures durability and a professional presentation.
- Q: Who is the author of 'Theatre and Democracy'? A: The author is Ravi Chaturvedi. He is known for his contributions to the field of theatre research.
- Q: What are the dimensions of 'Theatre and Democracy'? A: The book measures seven point nine nine inches in length, ten inches in width, and eight point five inches in height. These dimensions make it a manageable size for reading.
- Q: What is the main theme of 'Theatre and Democracy'? A: The main theme revolves around democracy in performance. This collection analyzes how political discourses influence performance practices.
- Q: How can I use the insights from 'Theatre and Democracy'? A: You can use the insights to understand the relationship between theatre and political contexts. The essays provide a framework for analyzing performances in a global and local context.
- Q: Is 'Theatre and Democracy' suitable for academic study? A: Yes, it is suitable for academic study. The essays are based on scholarly conferences and provide in-depth analysis relevant to theatre research.
- Q: Can I read 'Theatre and Democracy' for general interest? A: Yes, it can be read for general interest. The essays highlight various aspects of performance that could appeal to a broader audience.
- Q: What type of audience would benefit from this book? A: Scholars, students, and practitioners in theatre and performance studies would benefit. It is particularly relevant for those interested in political aspects of performance.
- Q: How should I store 'Theatre and Democracy' to maintain its condition? A: Store it upright in a dry, cool place. Avoid exposure to direct sunlight to prevent damage to the cover and pages.
- Q: Are there any specific care instructions for this hardcover book? A: Keep it away from moisture and handle it gently. Dust the cover regularly to keep it looking new.
- Q: What if I received a damaged copy of 'Theatre and Democracy'? A: Contact the retailer for return options. Most sellers have policies for damaged items, allowing for exchanges or refunds.
- Q: What should I do if I lose my copy of 'Theatre and Democracy'? A: You can purchase another copy from various retailers. It is available through multiple online and physical bookstores.
- Q: Does 'Theatre and Democracy' include diverse perspectives? A: Yes, it includes diverse perspectives from Asian examples of performance. The essays reflect a variety of cultural contexts and political discourses.
- Q: What distinguishes 'Theatre and Democracy' from other theatre books? A: Its focus on the interplay between democracy and performance sets it apart. The essays analyze global and local influences on theatrical practices.