Title
Thinking In Jazz : The Infinite Art Of Improvisation (Chicago Studies In Ethnomusicology Series)
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A Landmark In Jazz Studies, Thinking In Jazz Reveals As Never Before How Musicians, Both Individually And Collectively, Learn To Improvise. Chronicling Leading Musicians From Their First Encounters With Jazz To The Development Of A Unique Improvisatory Voice, Paul Berliner Documents The Lifetime Of Preparation That Lies Behind The Skilled Improviser'S Every Idea.The Product Of More Than Fifteen Years Of Immersion In The Jazz World, Thinking In Jazz Combines Participant Observation With Detailed Musicological Analysis, The Author'S Experience As A Jazz Trumpeter, Interpretations Of Published Material By Scholars And Performers, And, Above All, Original Data From Interviews With More Than Fifty Professional Musicians: Bassists George Duvivier And Rufus Reid; Drummers Max Roach, Ronald Shannon Jackson, And Akira Tana; Guitarist Emily Remler; Pianists Tommy Flanagan And Barry Harris; Saxophonists Lou Donaldson, Lee Konitz, And James Moody; Trombonist Curtis Fuller; Trumpeters Doc Cheatham, Art Farmer, Wynton Marsalis, And Red Rodney; Vocalists Carmen Lundy And Vea Williams; And Others. Together, The Interviews Provide Insight Into The Production Of Jazz By Great Artists Like Betty Carter, Miles Davis, Dizzy Gillespie, Coleman Hawkins, And Charlie Parker.Thinking In Jazz Overflows With Musical Examples From The 1920S To The Present, Including Original Transcriptions (Keyed To Commercial Recordings) Of Collective Improvisations By Miles Davis'S And John Coltrane'S Groups. These Transcriptions Provide Additional Insight Into The Structure And Creativity Of Jazz Improvisation And Represent A Remarkable Resource For Jazz Musicians As Well As Students And Educators.Berliner Explores The Alternative Waysaural, Visual, Kinetic, Verbal, Emotional, Theoretical, Associativein Which These Performers Conceptualize Their Music And Describes The Delicate Interplay Of Soloist And Ensemble In Collective Improvisation. Berliner'S Skillful Integration Of Data Concerning Musical Development, The Rigorous Practice And Thought Artists Devote To Jazz Outside Of Performance, And The Complexities Of Composing In The Moment Leads To A New Understanding Of Jazz Improvisation As A Language, An Aesthetic, And A Tradition. This Unprecedented Journey To The Heart Of The Jazz Tradition Will Fascinate And Enlighten Musicians, Musicologists, And Jazz Fans Alike.
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- Q: How many pages does 'Thinking in Jazz' have? A: This book has nine hundred and four pages. It provides an in-depth exploration of jazz improvisation and its history.
- Q: What is the binding type of 'Thinking in Jazz'? A: The book is available in paperback binding. This makes it more flexible and easier to handle while reading.
- Q: What are the dimensions of 'Thinking in Jazz'? A: The book measures nine point zero two inches in length, six point zero four inches in width, and one point nine inches in height. These dimensions make it a suitable size for both reading and storage.
- Q: What is the main theme of 'Thinking in Jazz'? A: The main theme is the art of jazz improvisation. It examines how musicians develop their unique improvisatory voices over time.
- Q: Who is the author of 'Thinking in Jazz'? A: The author is Paul Berliner. He is a noted ethnomusicologist and jazz trumpeter with extensive experience in the field.
- Q: What kind of insights does 'Thinking in Jazz' provide? A: The book provides insights into the creative processes of over fifty professional jazz musicians. It highlights their approaches to improvisation and musical collaboration.
- Q: Is 'Thinking in Jazz' suitable for beginners? A: Yes, it is suitable for both beginners and advanced musicians. It offers foundational concepts and deeper analyses of jazz improvisation.
- Q: How can I use 'Thinking in Jazz' as a resource? A: You can use it as a study guide for understanding jazz improvisation. It includes musical examples and transcriptions for practical learning.
- Q: What type of audience would enjoy 'Thinking in Jazz'? A: Jazz musicians, musicologists, and jazz enthusiasts would particularly enjoy this book. Its detailed analysis appeals to anyone interested in jazz music.
- Q: How should I store 'Thinking in Jazz' to keep it in good condition? A: Store the book upright in a cool, dry place to maintain its condition. Avoid exposing it to direct sunlight or excessive moisture.
- Q: Can I clean my copy of 'Thinking in Jazz'? A: Yes, you can clean it gently. Use a soft, dry cloth to wipe off dust and avoid using liquids that could damage the pages.
- Q: What if 'Thinking in Jazz' arrives damaged? A: If it arrives damaged, you should contact the seller for a return or replacement. Keep all packaging materials for the return process.
- Q: Is 'Thinking in Jazz' an academic book? A: Yes, it is considered an academic book within the field of ethnomusicology. It is widely used in music studies programs.
- Q: What makes 'Thinking in Jazz' unique compared to other jazz books? A: Its unique approach combines personal interviews with musicians and detailed musicological analysis. This provides a comprehensive view of jazz improvisation.
- Q: Does 'Thinking in Jazz' discuss the technical aspects of improvisation? A: Yes, it discusses various technical aspects, including musical structure and creativity in improvisation. This makes it a valuable resource for musicians.