Thomas Ekundayo Phillips: The Doyen of Nigerian Church Music,Used

Thomas Ekundayo Phillips: The Doyen of Nigerian Church Music,Used

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The biography and music of Thomas King Ekundayo Phillips are synonymous with the history of Nigerian church music. His compositions chronicle the emergence of Nigerian church music from the nineteenth century to the midtwentieth century. Phillips's works demonstrate the experimental stages of musical synthesis that began in the church, and in particular, elucidate the various levels of musical development and growth in Nigeria. By writing diverse musical genres, Phillips presents an array of compositional choices that are available to indigenous sacred music composersliturgical, hymnological, choral, and instrumental pieces. Ekundayo Phillips's compositions divulge the utilization of traditional source materials in contemporary compositions. In other words, Phillips's Yoruba compositions are paradigms for employing traditional creative principles embedded in the Nigerian culture, and recombining them with modern techniques to create intercultural music. Phillips understood the problem of ethnic conflict in Nigeria; therefore, in some of his songs he calls for unity, peace, love, and national cohesion. Phillips's compositions certainly fall within the category of intercultural musicology. His compositions represent the first attempts by native Nigerian composers in the experimental synthesis of diverse musical idioms in creating a truly hybrid composition. Indeed, credit is given to Phillips's pioneer research on the wordmusic relationship, the utilization of indigenous pitch collections, as found in the traditional music, contrapuntal devices in choral music, indigenous polyphonic techniques, and text setting; all documented in his wellwritten book, Yoruba Music: Fusion of Speech and Musica monumental gem and theory of Nigerian music.

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To facilitate a smooth return process, a Return Authorization (RA) Number is required for all returns. Returns without a valid RA number will be declined and may incur additional fees. You can request an RA number within 15 days of the original delivery date. For more details, please refer to our Return & Refund Policy page.

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We provide a 2-year limited warranty, from the date of purchase for all our products.

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This warranty strictly does not cover damages that arose from negligence, misuse, wear and tear, or not in accordance with product instructions (dropping the product, etc.).

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Frequently Asked Questions

  • Q: What is the main focus of 'Thomas Ekundayo Phillips: The Doyen of Nigerian Church Music'? A: The book primarily focuses on the biography and musical contributions of Thomas Ekundayo Phillips, highlighting his role in the development of Nigerian church music from the nineteenth to the mid-twentieth century.
  • Q: How does Phillips's work contribute to Nigerian church music? A: Phillips's compositions showcase the synthesis of traditional Nigerian music with modern techniques, providing a rich exploration of various musical genres like liturgical, hymnological, and choral pieces.
  • Q: What are some themes present in Phillips's compositions? A: His compositions often emphasize themes of unity, peace, love, and national cohesion, addressing the ethnic conflicts in Nigeria through music.
  • Q: Is this book suitable for those interested in musicology? A: Yes, the book is a valuable resource for students and scholars of musicology, particularly those interested in intercultural music and the dynamics of Nigerian music.
  • Q: What kind of musical techniques does Phillips utilize? A: Phillips employs indigenous pitch collections, contrapuntal devices, and polyphonic techniques in his compositions, reflecting a blend of traditional and contemporary musical practices.
  • Q: How many pages does the book contain? A: The book contains 200 pages, providing a comprehensive overview of Phillips's life and work.
  • Q: Who is the author of this biography? A: The biography is authored by Godwin Sadoh, who provides insights into Phillips's contributions to Nigerian church music.
  • Q: What type of binding does this book have? A: The book is available in a paperback binding, making it accessible and easy to handle.
  • Q: When was this book published? A: The book was published on January 20, 2009.
  • Q: What makes Phillips's compositions significant? A: Phillips's works are significant as they represent pioneering efforts by native Nigerian composers in merging different musical idioms to create hybrid compositions, influencing the evolution of church music in Nigeria.