Title
Tintype in America, 18561880: Transactions, American Philosophical Society (vol. 97, part 2) (Transactions of the American Phil,Used
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A history of the ferrotype or tintype in Amer. photography, from its origin in the 1850s until 1880. Schimmelman, Prof. of Art History, presents a history of the technological development of the tintype & its manufacture, & touches upon a number of issues relating to the cultural & social aspects of the tintype. She lays an interesting groundwork for thinking about the class dimensions of Victorian aesthetics & about the political economy of taste. The heart of the book is the extended accounts of the improvements in the presentation of the images & of the inventors & businessmen who made the improvements & advanced their careers in the business. Raises important issues in art history & the history of photography. Includes over 200 reproductions of actual tintypes.
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- Q: What is the main focus of 'Tintype in America, 1856-1880'? A: The book primarily focuses on the history of the ferrotype or tintype in American photography from its origin in the 1850s until 1880, examining technological developments, cultural aspects, and social implications.
- Q: Who is the author of this book? A: The author of 'Tintype in America, 1856-1880' is Janice G. Schimmelman, a Professor of Art History.
- Q: How many pages are in the book? A: The book contains 270 pages.
- Q: What type of binding does this book have? A: The book is available in a paperback binding.
- Q: When was 'Tintype in America, 1856-1880' published? A: This book was published on January 1, 2007.
- Q: What are some key topics covered in the book? A: Key topics include the technological development of tintypes, improvements in image presentation, and the cultural and class dimensions of Victorian aesthetics.
- Q: Does the book include visual content? A: Yes, it includes over 200 reproductions of actual tintypes.
- Q: Is this book suitable for art history students? A: Yes, the book raises important issues in art history and photography, making it a valuable resource for art history students and enthusiasts.
- Q: What condition is the book in? A: The book is in new condition.
- Q: Can this book be valuable for understanding Victorian aesthetics? A: Yes, it lays groundwork for understanding the class dimensions of Victorian aesthetics and the political economy of taste.