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Tragicomic Redemptions: Global Economics And The Early Modern English Stage
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In The Early Modern Period, England Radically Expanded Its Participation In An Economy That Itself Was Becoming Increasingly Global. Yet Less Than Twenty Years After The Highly Profitable English East India Company Made Its First Voyage, England Was Suffering From An Economic Depression, Blamed Largely On The Shortage Of Coin Necessary To Exploit Those Very Same Profitable Routes. How Could There Be Profit In The Face Of So Much Loss, And Loss In The Face Of So Much Profit?In Tragicomic Redemptions, Valerie Forman Contends That Three Seemingly Unrelated Domainsthe Development Of New Economic Theories And Practices, Especially Those Related To Global Trade; The Discourses Of Christian Redemption; And The Rise Of Tragicomedy As The Stage'S Most Popular Genrewere Together Crucial To The Formulation Of A New And Paradoxical Way Of Thinking About Loss And Profit In Relationship To One Another.Forman Reads Playsincluding Shakespeare'S Twelfth Night, The Merchant Of Venice, Pericles, And The Winter'S Tale, Fletcher'S The Island Princess, Massinger'S The Renegado, And Webster'S The Devil'S Lawcasealongside A Range Of Historical Materials That Provide A Fuller Picture Of England'S Participation In A Global Economy: The Writings Of The Country'S Earliest Economic Theorists, Narrative Accounts Of Merchants And Captives In The Spice Islands And The Ottoman Empire, And Documents That Detail The Development Of The English East India Company, The Levant Company, And Even The Very Idea Of The Jointstock Company. Unique In Its Dual Focus On Literary Form And Economic Practices, Tragicomic Redemptions Both Shows How Concepts Fundamental To Capitalism'S Existence, Such As Free Trade, And Investment, Develop Within A Global Context And Reveals The Exceptional Place Of Dramatic Form As A Participant In The Newly Emerging, Public Discourse Of Economic Theory.
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- Q: How many pages does the book have? A: The book contains two hundred eighty-eight pages. This length provides ample content for an in-depth exploration of its themes.
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- Q: What are the dimensions of the book? A: The book measures six point seventy-five inches in length, one inch in width, and nine point five inches in height. These dimensions make it a suitable size for reading and display.
- Q: Who is the author of this book? A: The author of the book is Valerie Forman. She brings a scholarly perspective to the intersection of economics and literature.
- Q: What genre does this book belong to? A: This book falls under the genre of History & Criticism. It examines economic themes within early modern English literature.
- Q: What themes are explored in this book? A: The book explores themes of global economics, Christian redemption, and the rise of tragicomedy in early modern England. These themes provide a unique lens on the historical context.
- Q: How do I read this book? A: You can read this book by simply opening it and engaging with the content. It's suitable for anyone interested in economics or literary criticism.
- Q: Is this book suitable for students? A: Yes, this book is suitable for students, especially those studying literature or economics. It provides critical insights that can enhance academic understanding.
- Q: What age group is this book appropriate for? A: This book is best suited for adults and advanced students. Its complex themes may not be suitable for younger readers.
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- Q: Is the book available in other formats? A: Currently, this book is only available in hardcover format. There may be digital formats in the future, but they are not specified at this time.
- Q: How does this book compare to other historical criticism books? A: This book uniquely combines economic theory with literary analysis, setting it apart from other historical criticism books. It offers a fresh perspective on the interplay of economics and literature.
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