Transnational Horror Across Visual Media: Fragmented Bodies (Routledge Research in Cultural and Media Studies),Used

Transnational Horror Across Visual Media: Fragmented Bodies (Routledge Research in Cultural and Media Studies),Used

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This volume investigates the horror genre across national boundaries (including locations such as Africa, Turkey, and postSoviet Russia) and different media forms, illustrating the ways that horror can be theorized through the circulation, reception, and production of transnational media texts. Perhaps more than any other genre, horror is characterized by its ability to be simultaneously aware of the local while able to permeate national boundaries, to function on both regional and international registers. The essays here explore political models and allegories, questions of cult or subcultural media and their distribution practices, the relationship between regional or cultural networks, and the legibility of international horror iconography across distinct media. The book underscores how a discussion of contemporary international horror is not only about genre but about how genre can inform theories of visual cultures and the increasing permeability of their borders.

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Frequently Asked Questions

  • Q: What is the main focus of 'Transnational Horror Across Visual Media: Fragmented Bodies'? A: The book explores the horror genre across different national boundaries and media forms, investigating how horror reflects local contexts while transcending national borders.
  • Q: Who is the author of this book? A: The author of this book is Dana Och.
  • Q: How many pages does this book contain? A: The book contains 266 pages.
  • Q: What type of binding does this book have? A: This book is available in hardcover binding.
  • Q: When was 'Transnational Horror Across Visual Media: Fragmented Bodies' published? A: The book was published on October 1, 2013.
  • Q: What topics are covered in this book? A: The book covers topics such as political models, cult media distribution practices, cultural networks, and international horror iconography across various media.
  • Q: Is the book suitable for those interested in cultural studies? A: Yes, this book is part of the Routledge Research in Cultural and Media Studies series, making it suitable for readers interested in cultural studies.
  • Q: What makes horror a unique genre according to the book? A: The book argues that horror uniquely navigates local awareness while permeating national boundaries, allowing it to function on both regional and international levels.
  • Q: Can this book help in understanding visual cultures? A: Yes, it discusses how contemporary international horror informs theories of visual cultures and the increasing permeability of cultural borders.
  • Q: What edition of the book is available? A: The available edition of the book is the first edition.