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This Groundbreaking Collection Is Among The First In The Field Of Art History To Explore The Relation Between The Traumatic And The Visual Field In The Modern Period. Ranging Across Media And Spanning From The Origins Of Modernity To The Present, The Essays Gathered Here Pursue Trauma As A Structuring Yet Elusive Subject Of Representation. Examining The Most Revelatory Instances Of Encounter Between Event And Image, Between History And Visual Form, This Collection Offers An Account Of The Centrality Of Traumas Visualization To An Understanding Of Modernity.
⚠️ WARNING (California Proposition 65):
This product may contain chemicals known to the State of California to cause cancer,
birth defects, or other reproductive harm.
Q: How many pages does the book have?A: The book has three hundred four pages. This length allows for an in-depth exploration of trauma and visuality.
Q: What size is the book?A: The book measures six inches in length, zero point nine one inches in width, and nine point zero two inches in height. This makes it a convenient size for reading and handling.
Q: What type of binding does the book have?A: The book is available in paperback binding. This type of binding is lightweight and flexible, making it easy to carry.
Q: Who is the author of this book?A: The author of the book is Lisa Saltzman. She is known for her contributions to the field of art history and visual culture.
Q: What is the main subject of the book?A: The book explores the relationship between trauma and visual culture. It examines how traumatic events are represented through various visual media.
Q: Is this book suitable for academic study?A: Yes, this book is suitable for academic study. It presents scholarly essays that are valuable for students and researchers in art history.
Q: How can I relate this book to modern art?A: You can relate this book to modern art by examining the ways it discusses trauma's impact on visual representation. The essays cover events and themes relevant to contemporary artistic practices.
Q: Is this book appropriate for beginners in art history?A: Yes, the book is appropriate for beginners in art history. It provides foundational knowledge while addressing complex themes in an accessible manner.
Q: What themes are covered in the book?A: The book covers themes of trauma, representation, and visual culture. It explores how these themes manifest in various art forms throughout modernity.
Q: How should I care for this paperback book?A: To care for the paperback book, keep it away from direct sunlight and moisture. Store it upright on a shelf to prevent bending or damage.
Q: Can I clean the book if it gets dirty?A: Yes, you can clean the book if it gets dirty. Use a dry cloth to gently wipe the cover and pages, avoiding any liquids that can cause damage.
Q: What should I do if I receive a damaged book?A: If you receive a damaged book, contact the seller for a return or exchange. Most sellers offer a satisfaction guarantee for damaged items.
Q: Is there a warranty for this book?A: No, there is generally no warranty for books. However, you can inquire about return policies with the seller.
Q: What if I have questions about the book after purchase?A: If you have questions about the book after purchase, you can reach out to the publisher or author through their official channels.
Q: Are there any specific audiences this book targets?A: Yes, the book targets audiences interested in art history, visual culture, and trauma studies. It appeals to both scholars and general readers.
Q: How does this book compare to other art history books?A: This book stands out by focusing specifically on trauma's relationship to visual culture, which is often overlooked in other art history texts.
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