Uninvited: Classical Hollywood Cinema and Lesbian Representability (Theories of Representation and Difference),Used

Uninvited: Classical Hollywood Cinema and Lesbian Representability (Theories of Representation and Difference),Used

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White writes with considerable flair, and her arguments are always interesting . . .' Choice'Uncovering a massive trove of what she calls 'lesbian representability'images of lesbian desire, love and lifein mainstream movies, White provides an insightful look at classic American films. . . . her myriad examples and finely wrought arguments prove both convincing and engaging.' Publishers Weekly'Conspiratorial and witty, Uninvited is a mischievous invitation to dissect classical cinema by someone who wields the razor with glee.' OUT MagazineLesbian characters, stories, and images were barred from onscreen depiction in Hollywood films from the 1930s to the 1960s, together with all forms of 'sex perversion.' Looking at the lure of some of the great female stars and at the visual coding of supporting actresses, the book identifies lesbian spectatorial strategies.

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Frequently Asked Questions

  • Q: What is the main focus of 'Uninvited: Classical Hollywood Cinema and Lesbian Representability'? A: The book explores the concept of 'lesbian representability' in classical Hollywood films, analyzing how lesbian characters and narratives were largely excluded from mainstream cinema from the 1930s to the 1960s.
  • Q: Who is the author of this book? A: The author of 'Uninvited' is Patricia White, a scholar known for her work on feminist film theory and lesbian representation in cinema.
  • Q: When was 'Uninvited' published? A: The book was published on October 22, 1999.
  • Q: What type of binding does this book have? A: This edition of 'Uninvited' is available in paperback binding.
  • Q: How many pages does 'Uninvited' contain? A: The book has a total of 396 pages.
  • Q: Is 'Uninvited' suitable for academic study? A: Yes, 'Uninvited' is suitable for academic study, particularly in courses related to film studies, women's studies, and LGBTQ+ studies, as it provides critical insights into cinematic representation.
  • Q: What can I expect in terms of writing style in 'Uninvited'? A: The writing style is described as engaging and witty, combining scholarly analysis with accessible language, making it both informative and enjoyable to read.
  • Q: Does 'Uninvited' include any visual examples from films? A: Yes, the book includes numerous examples from classic American films to illustrate its arguments about lesbian representation.
  • Q: What is the significance of 'lesbian representability' as discussed in the book? A: Lesbian representability refers to the ways in which lesbian identities and experiences are depicted or omitted in film, a central theme in the book that critiques historical cinematic practices.
  • Q: Is this book part of a series? A: Yes, 'Uninvited' is part of the 'Theories of Representation and Difference' series, which focuses on various aspects of representation in media.