Up Front and Center: New Orleans Music at the End of the 20th Century,Used

"Up Front and Center New Orleans Music at the End of the 20th Century" is the first indepth account of this very important era in the history of New Orleans music. It is filled with vivid descriptions of many of the most significant musical performances in the last two decades of the 20th century. Jay Mazza is an outstanding writer who was a constant presence in the clubs, concert halls, and festivals of the period. The book begins with a foreword by iconic New Orleans trumpeter and personality, Kermit Ruffins. The first chapters set the stage for a thrilling ride through history by describing in rich detail the New Orleans milieu of the late 1970s and early 1980s. Musicians, bands, and clubs come to life as Mazza skillfully weaves the story. The New Orleans Jazz and Heritage Festival serves as the thread tying the tale together. Three chapters discussing the Jazz Fests adolescence, developing years, and emergence as the worlds premier music festival bookend the text. Mazza also provides the reader with a thorough socioeconomic and cultural analysis of the myriad changes in the music community and the city at large. The rise of Frenchmen Street, the revival of the brass band community, the expansion of the music educational system, the saga of the 1984 Worlds Fair, and the development of the music media are among many of the topics considered in detail. Fittingly, the book centers on the legendary and the underacknowledgeduntilnow musicians who defined the era. The careers of such important artists as the Meters, Galactic, the subdudes, Kermit Ruffins, the Rebirth Brass Band, and Troy Trombone Shorty Andrews are discussed at length. Lesserknown musicians and bands that had a major impact on the music of New Orleans, including All That, Theryl DeClouet, Tribe Nunzio, the percussionist Michael Ward, Royal Fingerbowl, and Anthony Tuba Fats Lacen, are given their due. Mazzas scintillating stories put the reader up front and center grooving to the music at many of the clubs that defined the time period. Sorely missed hot spots that had a direct role in the development of New Orleans music at the end of the 20th century, such as Bennys Bar, Dorothys Medallion, the Rose Tattoo, and the Glass House, are featured prominently. TABLE OF CONTENTS Introduction Chapter 1 The New Orleans Jazz and Heritage Festival in the late 1970s and early 1980s 2 New Orleans Music Venues in the 1980s 3 The Musicians and Bands of late 1970s and early 1980s 4 The Beginnings of a Music Media Infrastructure 5 The Meters and the Second Wave of Funk 6 The Brass Band Revival 7 The New Orleans Worlds Fair and the Saga of Tipitinas 8 The Jazz Fest Grows Into Its New Home 9 A New Generation of Musicians and Bands 10 The New Brass Band Generation 11 The Rise of Frenchmen Street 12 Jazz Studies and Street Smarts 13 Mardi Gras Indians and Jazz Funerals 14 A New Generation Gets Into the Business 15 The Jazz Fest in the 1990s Epilogue What They Are Saying: With this intimate history of clubs, musicians and festivals, Jay Mazza places you on the bar stool, the street corner and the dance floorthe best vantage points for understanding the changes on the music scene of the 1980s and 1990s. An invaluable key to understanding life in New Orleans at the end of the 20th century.Brian Boyles, Director of Public Relations and Programs, Louisiana Endowment for the Humanities Anyone interested in whats been happening on the New Orleans music scene over the last thirty years should take a jump down this rabbit hole. Told from the perspective of someone who was actually front and center, Jay Mazza has compiled his mountain of published articles, notes, recollections and musings into an intriguing overview of a period of New Orleans music that has, for the most part, been neglected.Reggie Scanlan, bassist for Professor Longhair, James Booker, the Radiators and the New Orleans Suspects