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This Stunning Volume Offers An InDepth Look At The Vibrant Artistic Culture Of Uzbekistan, From Its Groundbreaking AvantGardes To The Rise Of Socialist Realism.During The 2024 Biennale, In Venice And Florence, Masterpieces From The Nukus And Tashkent State Museums In Uzbekistan Were Presented To The European Public For The First Time. The Artistic And Cultural Significance Of A Virtually Unknown Area Of TwentiethCentury Painting Finally Came To Light.This Volume Offers An Extensive Introduction To Uzbek Pictorial Culture During The First Half Of The Twentieth CenturyWhen The Country Gained Institutional Autonomy, As A Republic Within The Soviet UnionWith A Focus On The Extraordinary Artistic Experience Defined By The Authors Of This Volume As The Avanguardia Orientalis. This Movement, Spanning At Least Three Decades, Involved Uzbek, Kazakh, Armenian, Russian, Eastern Russian, Jewish, Siberian, Azerbaijani, And Ukrainian Artists. Through Their Deep Commitment To Dialogue, They Created An Authentic, Original, And Recognizable Language, Albeit One Expressed With Various Individual Nuances. This Book Names Sixteen Key Iconographic ThemesFrom Caravans To Clothing, Landscapes To Still LifesEach Explored Through A Representative Work And A Series Of Comparative Studies Of Pieces By The Same Artist And Their Contemporaries. Readers Will Discover A Visual Repertoire Almost Never Seen In The West, Including Paintings Housed In UzbekistanS Most Important Museums As Well As Rare Historical Photographs.
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