Title
Virtual Voyages: Cinema And Travel
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Virtual Voyages Illuminates The Pivotal Role Of Travelogues Within The History Of Cinema. The Travelogue Dominated The Early Cinema Period From 1895 To 1905, Was Central To The Consolidation Of Documentary In The 1910S And 1920S, Proliferated In The Postwar Era Of 16Mm Distribution, And Today Continues To Flourish In Imax Theaters And A Host Of Nontheatrical Venues. It Is Not Only The First Chapter In The History Of Documentary But Also A Key Element Of Ethnographic Film, Home Movies, And Fiction Films. In This Collection, Leading Film Scholars Trace The Intersection Of Technology And Ideology In Representations Of Travel Across A Wide Variety Of Cinematic Forms. In So Doing, They Demonstrate How Attention To The Role Of Travel Imagery In Film Blurs Distinctions Between Genres And Heightens Awareness Of Cinema As A Technology For Moving Through Space And Time, Of Cinema Itself As A Mode Of Travel.Some Contributors Take A Broad View Of Travelogues By Examining The Colonial And Imperial Perspectives Embodied In Early Travel Films, The Sensation Of Movement That Those Films Evoked, And The Role Of Live Presentations Such As Lectures In Our Understanding Of Travelogues. Other Essays Are Focused On Specific Films, Figures, And Technologies, Including Early Travelogues Encouraging Americans To Move To The West; The Making And Reception Of The Documentary Grass (1925), Shot On Location In Turkey, Syria, Iraq, And Iran; The Role Of Travel Imagery In 1930S Hollywood Cinema; The Latetwentiethcentury 16Mm Illustratedlecture Industry; And The Panoramic Possibilities Presented By Imax Technologies. Together The Essays Provide A Nuanced Appreciation Of How, Through Their Representations Of Travel, Filmmakers Actively Produce The Worlds They Depict.Contributors. Rick Altman, Paula Amad, Dana Benelli, Peter J. Bloom, Alison Griffiths, Tom Gunning, Hamid Naficy, Jennifer Lynn Peterson, Lauren Rabinovitz, Jeffrey Ruoff, Alexandra Schneider, Amy J. Staples
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- Q: How many pages does 'Virtual Voyages: Cinema and Travel' have? A: This book contains three hundred twelve pages. It offers a comprehensive exploration of travelogues in cinema history.
- Q: What is the binding type of this book? A: The binding type is paperback. This makes it lightweight and suitable for casual reading.
- Q: What are the dimensions of 'Virtual Voyages: Cinema and Travel'? A: The dimensions are six point two six inches in length, zero point seven nine inches in width, and nine point five inches in height.
- Q: Who is the author of this book? A: The author is Alexandra Schneider. She contributes to the collection of essays discussing travel in film.
- Q: What category does this book fall under? A: The book is categorized under Performing Arts. It delves into the intersection of cinema and travel.
- Q: Is 'Virtual Voyages: Cinema and Travel' suitable for academic study? A: Yes, it is suitable for academic study. It includes contributions from leading film scholars.
- Q: How do I read 'Virtual Voyages: Cinema and Travel'? A: You can read it like any standard book. The essays are structured to provide insights into cinematic travel themes.
- Q: Is this book recommended for film students? A: Yes, it is highly recommended for film students. It provides a nuanced view of travel imagery in cinema.
- Q: What themes are explored in this book? A: The book explores themes of technology, ideology, and the representation of travel in various cinematic forms.
- Q: How should I store this book to keep it in good condition? A: Store it in a cool, dry place. Avoid direct sunlight to preserve the quality of the paperback binding.
- Q: Can I clean the book if it gets dirty? A: Yes, you can clean it gently. Use a soft, dry cloth to wipe the cover without applying excessive pressure.
- Q: What if the book arrives damaged? A: If the book arrives damaged, you should contact the seller for a return or replacement. Keep the original packaging for reference.
- Q: What kind of essays are in this book? A: The essays cover various aspects of travelogues, including historical perspectives and specific film analyses.
- Q: Is this book intended for a general audience? A: No, it is primarily targeted towards scholars and students of film and cultural studies.
- Q: Are there illustrations or photographs in this book? A: Yes, there are forty-one black and white photographs included. They enhance the discussion of travel in cinema.