Title
Weather as Medium: Toward a Meteorological Art (Leonardo),Used
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An exploration of artworks that use weather or atmosphere as the primary medium, creating new coalitions of collective engagement with the climate crisis.In a time of climate crisis, a growing number of artists use weather or atmosphere as an artistic medium, collaborating with scientists, local communities, and climate activists. Their work mediates scientific modes of knowing and experiential knowledge of weather, probing collective anxieties and raising urgent ecological questions, oscillating between the big picture systems view and a groundbased perspective. In this book, Janine Randerson explores a series of meteorological art projects from the 1960s to the present that draw on sources ranging from dynamic, technological, and physical systems to indigenous cosmology.Randerson finds a precursor to today's meteorological art in 1960s artworks that were weatherdriven and infused with the new sciences of chaos and indeterminacy, and she examines work from this period by artists including Hans Haacke, Fujiko Nakaya, and AotearoaNew Zealand kinetic sculptor Len Lye. She looks at live experiences of weather in art, in particular Fluxus performance and contemporary art that makes use of meteorological data streams and software. She describes the use of meteorological instruments, including remote satellite sensors, to create affective atmospheres; online projects and participatory performances that create a new form of social meteorology; works that respond directly to climate change, many from the Global South; artistactivists who engage with the earth's diminishing cryosphere; and a speculative art in the form of quasiscientific experiments. Art's current eddies of activity around the weather, Randerson writes, perturb the scientific hold on facts and offer questions of value in their place.
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- Q: What are the dimensions of the book? A: The book measures seven point three seven inches in length, zero point nine four inches in width, and nine point three inches in height.
- Q: How many pages does 'Weather as Medium' have? A: This book contains two hundred eighty pages, providing a comprehensive exploration of meteorological art.
- Q: What type of binding does this book have? A: The book is bound in hardcover, ensuring durability and a quality reading experience.
- Q: Who is the author of 'Weather as Medium'? A: The author is Janine Randerson, who explores the intersection of art and climate.
- Q: What genre does this book belong to? A: This book falls under the History category, specifically focusing on environmental art.
- Q: What is the main theme of 'Weather as Medium'? A: The book explores artworks that use weather and atmosphere as a medium to engage with climate issues.
- Q: Is this book suitable for beginners in art studies? A: Yes, the book is appropriate for beginners as it provides foundational insights into meteorological art.
- Q: What kind of art does 'Weather as Medium' discuss? A: The book discusses meteorological art that involves collaboration with scientists and communities to address climate change.
- Q: Can I use this book for academic research? A: Yes, this book is suitable for academic research, particularly in environmental studies and art history.
- Q: How should I store this book to keep it in good condition? A: Store the book in a cool, dry place, upright on a shelf to maintain its shape and condition.
- Q: Is there any specific care needed for the hardcover? A: To care for the hardcover, avoid exposing it to moisture and clean with a dry cloth if necessary.
- Q: What if the book arrives damaged? A: If the book arrives damaged, contact the seller for return options or a replacement.
- Q: Does this book contain illustrations? A: Yes, 'Weather as Medium' includes fifty illustrations in black and white and eighteen in color.
- Q: What type of projects does the author examine in the book? A: The author examines meteorological art projects from the 1960s to the present, highlighting various artist approaches.
- Q: Is this book appropriate for educational settings? A: Yes, it is suitable for educational settings, especially in courses related to art and environmental studies.