Western Music and Its Others: Difference, Representation, and Appropriation in Music,Used

Western Music and Its Others: Difference, Representation, and Appropriation in Music,Used

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This innovative collection of articles offers a major comprehensive overview of new developments in cultural theory as applied to Western music. Addressing a broad range of primarily twentiethcentury music, the authors examine two related phenomena: musical borrowings or appropriations, and how music has been used to construct, evoke, or represent difference of a musical or a sociocultural kind.The essays scrutinize a diverse body of music and discuss a range of significant examples, among them musical modernism's idealizing or ambivalent relations with popular, ethnic, and nonWestern music; exoticism and orientalism in the experimental music tradition; the representation of others in Hollywood film music; music's role in the formation and contestation of collective identities, with reference to Jewish and Turkish popular music; and issues of representation and difference in jazz, world music, hip hop, and electronic dance music.Written by leading scholars from disciplines including historical musicology, sociology, ethnomusicology, anthropology, popular music studies, and film studies, the essays provide unprecedented insights into how cultural identities and differences are constructed in music.

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Frequently Asked Questions

  • Q: What is the main focus of 'Western Music and Its Others'? A: The book provides a comprehensive overview of cultural theory developments as applied to Western music, examining musical borrowings, appropriations, and the representation of difference in sociocultural contexts.
  • Q: Who are the authors of this book? A: The essays are written by leading scholars from various disciplines, including historical musicology, sociology, ethnomusicology, anthropology, popular music studies, and film studies.
  • Q: What topics are covered in the essays? A: The essays discuss topics such as musical modernism, exoticism and orientalism in music, representation in Hollywood film music, and the role of music in identity formation, including Jewish and Turkish popular music.
  • Q: How many pages does the book have? A: The book has a total of 409 pages.
  • Q: When was this book first published? A: The book was first published on October 2, 2000.
  • Q: What is the condition of the book? A: The book is in new condition.
  • Q: What is the binding type of 'Western Music and Its Others'? A: The book is available in paperback binding.
  • Q: Is there a specific edition of the book? A: Yes, this is the First Edition of 'Western Music and Its Others'.
  • Q: What is the significance of the book in ethnomusicology? A: The book offers unprecedented insights into how cultural identities and differences are constructed within the context of music, making it a significant contribution to the field of ethnomusicology.
  • Q: Can this book be useful for students of cultural studies? A: Yes, the book is valuable for students and scholars in cultural studies as it addresses the intersection of music and sociocultural representation.