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Whitewalling: Art, Race & Protest In 3 Acts
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An Exploratory Case Study In Institutional Racism As It Has Manifested In The New York City Art World Brooklyn Railin 2017, The Whitney Biennial Included A Painting By A White Artist, Dana Schutz, Of The Lynched Body Of A Young Black Child, Emmett Till. In 1979, Anger Brewed Over A Show At New Yorks Artists Space Entitled The Nigger Drawings. In 1969, The Metropolitan Museum Of Arts Exhibition Harlem On My Mind Did Not Include A Single Work By A Black Artist. In All Three Cases, Black Artists And Writers And Their Allies Organized Vigorous Responses Using The Only Forum Available To Them: Public Protest.Whitewalling: Art, Race & Protest In 3 Acts Reflects On These Three Incidents In The Long And Troubled History Of Art And Race In America. It Lays Bare How The Art Worldno Less Than The Country At Largehas Persistently Struggled With The Politics Of Race, And The Ways This Struggle Has Influenced How Museums, Curators And Artists Wrestle With Notions Of Free Speech And The Specter Of Censorship. Whitewalling Takes A Critical And Intimate Look At These Three Acts In The History Of The American Art Scene And Asks: When We Speak Of Artistic Freedom And The Freedom Of Speech, Who, Exactly, Is Free To Speak?Aruna Dsouza Writes About Modern And Contemporary Art, Food And Culture; Intersectional Feminisms And Other Forms Of Politics; How Museums Shape Our Views Of Each Other And The World; And Books. Her Work Appears Regularly In 4Columns.Org, Where She Is A Member Of The Editorial Advisory Board, As Well As In Publications Including The Wall Street Journal, Artnews, Garage, Bookforum, Momus And Art Practical. D'Souza Is The Editor Of The Forthcoming Making It Modern: A Linda Nochlin Reader.
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- Q: How many pages does this book have? A: This book has one hundred sixty pages. It's a comprehensive exploration of art, race, and protest in America.
- Q: What is the binding type of this book? A: This book is paperback bound. This makes it lightweight and easy to handle.
- Q: What are the dimensions of this book? A: The book measures five point nine one inches in length, zero point six inches in width, and nine point zero two inches in height.
- Q: Who is the author of this book? A: The author is Aruna D’Souza. She writes extensively on modern and contemporary art, as well as cultural issues.
- Q: What genre does this book belong to? A: This book belongs to the Criticism genre. It critically examines the intersection of art and race.
- Q: Is this book suitable for young readers? A: This book is recommended for mature readers due to its complex themes. It discusses institutional racism and artistic freedom.
- Q: How should I store this book? A: Store this book in a cool, dry place. Keep it upright to maintain its shape and prevent damage.
- Q: How do I clean this book? A: To clean this book, use a soft, dry cloth. Avoid liquids to prevent damage to the pages.
- Q: Is this book safe for children? A: This book is not specifically aimed at children. It discusses heavy themes related to race and protest.
- Q: Can I return this book if I'm not satisfied? A: Yes, you can return this book within a specified period if you are not satisfied. Check the return policy for details.
- Q: What if the book arrives damaged? A: If the book arrives damaged, contact customer support immediately for a replacement or refund.
- Q: Is there a warranty for this book? A: There is no warranty for this book. However, it can be returned if it arrives damaged.
- Q: How does this book compare to others in its genre? A: This book offers a unique perspective on art and race compared to other criticism titles. It focuses on historical events and their impact.
- Q: What themes are explored in this book? A: The book explores themes of institutional racism, artistic freedom, and public protest in the art world.
- Q: Is this book suitable for academic use? A: Yes, this book is suitable for academic use. It provides critical insights into art history and social issues.