Title
Who Owns Culture?: Appropriation And Authenticity In American Law (Rutgers Series: The Public Life Of The Arts),Used
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It Is Not Uncommon For White Suburban Youths To Perform Rap Music, For New York Fashion Designers To Ransack The World'S Closets For Inspiration, Or For Euroamerican Authors To Adopt The Voice Of A Geisha Or Shaman. But Who Really Owns These Art Forms? Is It The Community In Which They Were Originally Generated, Or The Culture That Has Absorbed Them?While Claims Of Authenticity Or Quality May Prompt Some Consumers To Seek Cultural Products At Their Source, The Communities Of Origin Are Generally Unable To Exclude Copyists Through Legal Action. Like Other Works Of Unincorporated Group Authorship, Cultural Products Lack Protection Under Our System Of Intellectual Property Law. But Is This Legal Vacuum An Injustice, The Lifeblood Of American Culture, A Historical Oversight, A Result Of Administrative Incapacity, Or All Of The Above?Who Owns Culture? Offers The First Comprehensive Analysis Of Cultural Authorship And Appropriation Within American Law. From Indigenous Art To Linux, Susan Scafidi Takes The Reader On A Tour Of The Noman'Sland Between Law And Culture, Pausing To Ask: What Prompts Us To Offer Legal Protection To Works Of Literature, But Not Folklore? What Does It Mean For A Creation To Belong To A Community, Especially A Diffuse Or Fractured One? And Is Our National Culture The Product Of Yankee Ingenuity Or Cultural Kleptomania?Providing New Insights To Communal Authorship, Cultural Appropriation, Intellectual Property Law, And The Formation Of American Culture, This Innovative And Accessible Guide Greatly Enriches Future Legal Understanding Of Cultural Production.
⚠️ WARNING (California Proposition 65):
This product may contain chemicals known to the State of California to cause cancer, birth defects, or other reproductive harm.
For more information, please visit www.P65Warnings.ca.gov.
- Q: How many pages is the book? A: This book has two hundred eight pages. It provides a comprehensive analysis of cultural authorship and appropriation.
- Q: What is the binding type of the book? A: The book is available in paperback binding. This makes it lightweight and easy to handle.
- Q: What are the dimensions of the book? A: The book measures five point five one inches in length, zero point seven one inches in width, and eight point five inches in height.
- Q: What topics does this book cover? A: This book covers cultural appropriation, authenticity, and communal authorship in American law. It explores the intersection of law and culture.
- Q: Who is the author of the book? A: The author of this book is Susan Scafidi. She provides insights into cultural production and intellectual property law.
- Q: Is this book suitable for all readers? A: Yes, the book is suitable for a wide range of readers interested in law and culture. It offers accessible insights for both legal professionals and general readers.
- Q: How should I handle the book to keep it in good condition? A: Keep the book in a dry place and avoid exposing it to direct sunlight. This helps to maintain its condition over time.
- Q: Can I read this book if I'm new to the subject? A: Yes, beginners can read this book. It presents complex ideas in an accessible manner, making it suitable for newcomers.
- Q: How do I protect the book from damage? A: Store the book upright on a bookshelf and avoid stacking heavy items on top. Use a bookmark instead of folding pages.
- Q: Is this book a good resource for legal studies? A: Yes, this book is an excellent resource for legal studies. It offers a comprehensive analysis of cultural issues within American law.
- Q: What makes this book different from others on the topic? A: This book uniquely combines cultural analysis with legal perspectives, exploring the nuances of ownership in art and culture.
- Q: What is the publication date of this book? A: The publication date is not specified in the details provided. However, it is part of the Rutgers Series on the Public Life of the Arts.
- Q: Is the book appropriate for academic use? A: Yes, the book is appropriate for academic use. It provides critical insights relevant to courses on law, culture, and intellectual property.
- Q: How can I contact customer support for this book? A: You can contact customer support through the publisher's website, Rutgers University Press, for any inquiries related to the book.
- Q: What should I do if the book arrives damaged? A: If the book arrives damaged, contact the seller immediately for a return or replacement. Most sellers have policies in place for such issues.
- Q: Are there any supplementary materials with the book? A: No supplementary materials are mentioned. The book stands alone as a comprehensive guide on its topics.