Title
Whose Spain?: Negotiating Spanish Music In Paris, 19081929 (Currents In Latin American And Iberian Music)
Delivery time: 8-12 business days (International)
From The Very Beginning Of The Nineteenth Century, Many Elements Of Spanish Culture Carried An Air Of 'Exoticism' For The Frenchand Nothing Played More Important Of A Role In Shaping The French Idea Of Spain Than The Country'S Musical Tradition. However, As Samuel Llano Argues In Whose Spain?, Perceptions And Representations Of Spanish Musical Identities Changed In The Early Twentieth Century, Due To The Emergence Of The Hispanistes. These Specialists On Spanish Music And Culture, Who Wrote Encyclopedic And 'Scientific' Articles On 'Spanish Music,' Strived To Endow The World Of Spanish Music With A Sense Of Authority And Knowledge. Yet, The Writings Of Those Hispanistes And Other Music Critics Showed A Highly Sensationalist Attitude, Aimed At Describing 'Spanish Music' In A Way That Was Instrumental To The Interests Of French Musicians. At The Same Time, The Spanish Fought To Articulate Their Own Identities Through The Creation And Performance Of New Musical Works.In This Book, Llano Analyzes The Sociopolitical Discourses Underpinning Critical And Musicological Descriptions Of 'Spanish Music' And The Discourse'S Connection With French Politics And Culture. He Also Studies Operas And Other Musical Works For The Stage As Privileged Sites For The Production Of Spanish Musical Identities, Given The Enhanced Possibilities Of Performance For Cultural And Critical Engagement. The Study Covers The Period 1908 To 1929, When Representations Of 'Spanish Music' In The Writings Of The Hispaniste Henri Collet And Other French Musicians Underwent Several Transformations, Mostly Sparked By The Need To Reformulate French Identity During And After The First World War. Ultimately, Llano Demonstrates That Definitions Of 'French' And 'Spanish' Music Were To Some Extent Interdependent, And That The Public Performances Of These Pieces Even Helped The Musical Community In France To Begein To Reformulate Their Notions Of 'Spanish Music' And Identity.
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We ship your order within 2–3 business days for USA deliveries and 5–8 business days for international shipments. Once your package has been dispatched from our warehouse, you'll receive an email confirmation with a tracking number, allowing you to track the status of your delivery.
Returns
To facilitate a smooth return process, a Return Authorization (RA) Number is required for all returns. Returns without a valid RA number will be declined and may incur additional fees. You can request an RA number within 15 days of the original delivery date. For more details, please refer to our Return & Refund Policy page.
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Warranty
We provide a 2-year limited warranty, from the date of purchase for all our products.
If you believe you have received a defective product, or are experiencing any problems with your product, please contact us.
This warranty strictly does not cover damages that arose from negligence, misuse, wear and tear, or not in accordance with product instructions (dropping the product, etc.).
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Frequently Asked Questions
- Q: What is the main topic of 'Whose Spain?: Negotiating 'Spanish Music' in Paris, 1908-1929'? A: The book explores how perceptions of Spanish musical identities evolved in early twentieth-century France, particularly through the work of hispanistes who shaped the understanding of 'Spanish music'.
- Q: Who is the author of this book? A: The author of 'Whose Spain?' is Samuel Llano.
- Q: What are the key themes discussed in the book? A: Key themes include the socio-political discourses influencing Spanish music representations, the relationship between French and Spanish music identities, and the role of operas and performances in cultural engagement.
- Q: What is the condition of the book being sold? A: The book is listed as a 'Used Book in Good Condition'.
- Q: How many pages does 'Whose Spain?' have? A: The book contains a total of 312 pages.
- Q: What type of binding does this book have? A: This edition of the book is a hardcover.
- Q: When was 'Whose Spain?' published? A: The book was published on November 20, 2012.
- Q: What edition of the book is available? A: The available edition is the first edition.
- Q: Is there any specific historical context discussed in the book? A: Yes, the book covers the period from 1908 to 1929, focusing on how representations of 'Spanish music' changed in response to cultural and political dynamics in France.
- Q: What is the significance of the hispanistes mentioned in the book? A: The hispanistes were specialists who sought to create authoritative narratives around Spanish music, significantly influencing French musicians' perceptions and representations of Spanish musical identity.