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Women Directors: The Emergence of a New Cinema,New
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Quart here extends her previous writings on what she terms the best narrative cinema: womencentered cinema' and feminist filmmaking. Quart addresses American, Western European, and Eastern European directors, closing with Third World examples. Arguing that independent filmmaking best serves the quest for a woman's voice and vision, Quart chronicles the survival of women directors. She traces a heritage of women directors inside the Hollywood system and beyond. . . . This excellent study . . . [is] recommended for undergraduates in film and women's studies. ChoiceThe current level of activity among women directors is unequalled in the history of feature films. This unprecedented study examines major contemporary women directors of narrative feature filmtheir themes, their art, and the circumstances under which they work. Quart contends that women are creating a film language and film sensibility that are unique, strong, anduntil nowunexplored. Her discussion centers on the ties between women directors, rather than on a survey of women who direct films. Beginning with the antecedents to today's burgeoning number of women directors, the study progresses to American women directors. Subsequent chapters focus on womenn directors in Western Europe and Eastern Europe, with some attention as well to Asia and Latin America.
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- Q: What is the main focus of 'Women Directors: The Emergence of a New Cinema'? A: The book focuses on the emergence and impact of women directors in narrative feature films, exploring their unique themes, art, and the challenges they face in the film industry.
- Q: Who is the author of this book? A: The author of 'Women Directors: The Emergence of a New Cinema' is Barbara Quart.
- Q: When was this book published? A: This book was published on December 12, 1989.
- Q: What is the condition of the book? A: The book is in new condition.
- Q: How many pages does the book have? A: The book has 299 pages.
- Q: What type of binding does this book have? A: The book is available in paperback binding.
- Q: What subjects does this book cover? A: The book covers subjects related to women-centered cinema, feminist filmmaking, and the history of women directors across various regions including America, Western Europe, Eastern Europe, and beyond.
- Q: Is this book suitable for academic study? A: Yes, the book is recommended for undergraduates in film and women's studies, making it suitable for academic study.
- Q: Does the book discuss directors from non-Western countries? A: Yes, the book includes discussions on women directors from Third World countries, Asia, and Latin America.
- Q: What makes this study of women directors unique? A: This study is unique as it examines the ties among women directors and their contributions to film language and sensibility, rather than providing a general survey of women in filmmaking.