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Volume 12 of Women in German Yearbook opens with a cluster of crossdisciplinary articles. Sara Lennox explores pertinent theoretical issues and introduces articles by historian Atina Grossman, sociologist Myra Marx Ferree, and political theorist Joan Cocks. Three subsequent articles focus on the nineteenth century: Todd Kontje challenges the notion that the Wars of Liberation renewed conservatism regarding gender, Irmela Marei KrgerFrhoff presents a new reading of the fatherdaughter relationship in Kleists Marquise of O . . . , and Helen G. MorrisKeitel describes the cultural work of Louise Ottos Castle and Factory.Barbara Hales analyzes the criminal femme fatale as evidence of Weimar Germanys deepseated discomfort with modernity; Kathrin Bower discusses poems by Nelly Sachs and Rose Auslnder as searches for the (M)other; Charlotte Melin analyzes gender differences in reworkings of the Alice in Wonderland motif; Helgard Mahrdt explores connections between Ingeborg Bachmanns prose and the cultural criticism of the Frankfurt School; and Frederick A. Lubich interviews the writer Elisabeth Alexander. Two articles focus on cultural differences: Karen Jankowsky reads The Facade by Libuse Monkov, a Czech author writing in German, and Leslie Adelson discusses Eva Demskis Afra in terms of AfroGerman discourse. The volume closes with the editors views on the yearbooks role in creating an American Germanics.
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