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Women'S Experimental Cinema: Critical Frameworks-used
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Womens Experimental Cinema Provides Lively Introductions To The Work Of Fifteen Avantgarde Women Filmmakers, Some Of Whom Worked As Early As The 1950S And Many Of Whom Are Still Working Today. In Each Essay In This Collection, A Leading Film Scholar Considers A Single Filmmaker, Supplying Biographical Information, Analyzing Various Influences On Her Work, Examining The Development Of Her Corpus, And Interpreting A Significant Number Of Individual Films. The Essays Rescue The Work Of Critically Neglected But Influential Women Filmmakers For Teaching, Further Study, And, Hopefully, Restoration And Preservation. Just As Importantly, They Enrich The Understanding Of Feminism In Cinema And Expand The Terrain Of Film History, Particularly The History Of The American Avantgarde.The Contributors Examine The Work Of Marie Menken, Joyce Wieland, Gunvor Nelson, Yvonne Rainer, Carolee Schneemann, Barbara Rubin, Amy Greenfield, Barbara Hammer, Chick Strand, Marjorie Keller, Leslie Thornton, Abigail Child, Peggy Ahwesh, Su Friedrich, And Cheryl Dunye. The Essays Highlight The Diversity In These Filmmakers Forms And Methods, Covering Topics Such As How Menken Used Film As A Way To Rethink The Transition From Abstract Expressionism To Pop Art In The 1950S And 1960S, How Rubin Both Objectified The Body And Investigated The Filmic Apparatus That Enabled That Objectification In Her Film Christmas On Earth (1963), And How Dunye Uses Film To Explore Her Own Identity As A Black Lesbian Artist. At The Same Time, The Essays Reveal Commonalities, Including A Tendency Toward Documentary Rather Than Fiction And A Commitment To Nonhierarchical, Collaborative Production Practices. The Volumes Final Essay Focuses Explicitly On Teaching Womens Experimental Films, Addressing Logistical Concerns (How To Acquire The Films And Secure Proper Viewing Spaces) And Extending The Range Of The Book By Suggesting Alternative Films For Classroom Use.Contributors. Paul Arthur, Robin Blaetz, Nol Carroll, Janet Cutler, Mary Ann Doane, Robert A. Haller, Chris Holmlund, Chuck Kleinhans, Scott Macdonald, Kathleen Mchugh, Ara Osterweil, Maria Pramaggiore, Melissa Ragona, Kathryn Ramey, M. M. Serra, Maureen Turim, William C. Wees
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- Q: How many pages does the book have? A: The book contains four hundred thirty-two pages, providing a comprehensive exploration of women's experimental cinema.
- Q: What is the binding type of the book? A: The book is available in paperback binding, making it lightweight and easy to handle.
- Q: What are the book's dimensions? A: The dimensions of the book are six point fourteen inches in length, one point zero eight inches in width, and nine point twenty-five inches in height.
- Q: Who is the author of this book? A: The author of this book is Robin Blaetz, who contributes significantly to the discourse on women's experimental cinema.
- Q: What subjects does the book cover? A: The book covers the work of fifteen avant-garde women filmmakers and provides critical frameworks for understanding their contributions.
- Q: How do I use this book for teaching? A: This book is an excellent resource for teaching women's experimental films and includes essays that address logistical concerns for classroom use.
- Q: Is this book suitable for beginners in film studies? A: Yes, this book is suitable for beginners as it provides accessible introductions to the work of significant women filmmakers.
- Q: Can this book be used in a film studies curriculum? A: Absolutely, the book is designed to enrich film studies curricula by highlighting underrepresented women filmmakers.
- Q: What is the best way to read this book? A: The best way to read this book is to engage with each essay individually, as they focus on different filmmakers and themes.
- Q: How should I store this book to keep it in good condition? A: Store the book in a cool, dry place, away from direct sunlight to maintain its condition and prevent fading.
- Q: Is there a warranty for this book? A: Typically, books do not come with a warranty, but you may check with the seller for their return policy.
- Q: What should I do if the book arrives damaged? A: If the book arrives damaged, contact the seller immediately to discuss return or replacement options.
- Q: How can I clean this book if it gets dirty? A: To clean the book, gently wipe the covers with a dry cloth and avoid using any liquids that could damage the pages.
- Q: Are there any specific care instructions for this book? A: Yes, avoid exposing the book to moisture and store it upright to prevent bending or damage to the spine.
- Q: Does this book include illustrations? A: Yes, the book features sixty-two illustrations that complement the essays and enhance the reader's understanding of the filmmakers' work.
- Q: Is this book appropriate for all audiences? A: Yes, the book is suitable for a general audience interested in film studies and women's contributions to cinema.