Title
Writing For The Street, Writing In The Garret: Melville, Dickinson, And Private Publication,New
Delivery time: 8-12 business days (International)
Product Description Although Herman Melville and Emily Dickinson differed dramatically in terms of their lives and writing careers, they shared not only a distaste for writing for the street (mass readership) but a preference for the intimate writerreader relationship created by private publication, especially in the form of manuscripts. In Writing for the Street, Writing in the Garret: Melville, Dickinson, and Private Publication, Michael Kearns shows that this distaste and preference were influenced by American copyright law, by a growing tendency in America to treat not only publications but their authors as commodities, and by the romantic stereotype of the artist (usually suffering in a garret) living only for her or his own work.For both Melville and Dickinson, private publication could generate the prestige accorded to authors while preserving ownership of both works and self. That they desired such prestige Kearns demonstrates by a close reading of biographical details, publication histories, and specific comments on authorship and fame. This information also reveals that Melville and Dickinson regarded their manuscripts as physical extensions of themselves while creating personae to protect the privacy of those selves. Much modern discourse about both writers has accepted as biographical fact certain elements of those personae, especially that they were misunderstood artists metaphorically confined to garrets. Review Writing for the Street, Writing in the Garret succeeds thanks to Michael Kearns detailed knowledge of these two writers lives and personae. He handles with zest the scholarship that long regarded Dickinson and Melville as apparent failures, particularly with regard to market forces. Readers will appreciate the ironies that Kearns underscores as he relates these writers lives to their posthumous reputations and to the strange circumstances that still dictate how Dickinson and Melville are known and read today. Elizabeth Horan, professor of English, Arizona State UniversityMichael Kearns book is elegantly written and a genuine pleasure to read. Kearns knows thoroughly the scholarship on both writers and conducts a sort of clinic on a number of theoretical approaches to their works. His argument is patient and never rushed. In many ways, Kearns is a model of its kind. James D. Wallace, associate professor of English, Boston College About the Author Michael Kearns is professor of English at the University of Southern Indiana.
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Shipping & Returns
Shipping
We ship your order within 2–3 business days for USA deliveries and 5–8 business days for international shipments. Once your package has been dispatched from our warehouse, you'll receive an email confirmation with a tracking number, allowing you to track the status of your delivery.
Returns
To facilitate a smooth return process, a Return Authorization (RA) Number is required for all returns. Returns without a valid RA number will be declined and may incur additional fees. You can request an RA number within 15 days of the original delivery date. For more details, please refer to our Return & Refund Policy page.
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Warranty
We provide a 2-year limited warranty, from the date of purchase for all our products.
If you believe you have received a defective product, or are experiencing any problems with your product, please contact us.
This warranty strictly does not cover damages that arose from negligence, misuse, wear and tear, or not in accordance with product instructions (dropping the product, etc.).
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Your payment information is processed securely. We do not store credit card details nor have access to your credit card information.
We accept payments with :
Visa, MasterCard, American Express, Paypal, Shopify Payments, Shop Pay and more.