Writing The Oral Tradition: Oral Poetics And Literate Culture In Medieval England (Poetics Of Orality And Literacy)

Writing The Oral Tradition: Oral Poetics And Literate Culture In Medieval England (Poetics Of Orality And Literacy)

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Mark Amodios Book Focuses On The Influence Of The Oral Tradition On Written Vernacular Verse Produced In England From The Fifth To The Fifteenth Century. His Primary Aim Is To Explore How A Living Tradition Articulated Only Through The Public, Performance Voices Of Preliterate Singers Came To Find Expression Through The Pens Of Private, Literate Authors. Amodio Argues That The Expressive Economy Of Oral Poetics Survives In Written Texts Because, Throughout The Middle Ages, Literacy And Orality Were Interdependent, Not Competing, Cultural Forces.After Delving Into The Background Of The Medieval Oralliterate Matrix, Writing The Oral Tradition Develops A Model Of Nonperformative Oral Poetics That Is A Central, Perhaps Defining, Component Of Old English Vernacular Verse. Following The Norman Conquest, Oral Poetics Lost Its Central Position And Became One Of Many Ways To Articulate Poetry. Contrary To Many Scholars, Amodio Argues That Oral Poetics Did Not Disappear But Survived Well Into The Postconquest Period. It Influenced The Composition Of Middle English Verse Texts Produced From The Twelfth To The Fourteenth Century Because It Offered Poets An Affectively Powerful And Economical Way To Articulate Traditional Meanings. Indeed, Fragments Of Oral Poetics Are Discoverable In Contemporary Prose, Poetics, And Film As They Continue To Faithfully Emit Their Traditional Meanings.Writing The Oral Tradition Will Appeal To Specialists And Students Interested In Medieval Literature, Medieval Cultural Studies, And Oral Theory.

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Frequently Asked Questions

  • Q: What is the main focus of 'Writing the Oral Tradition'? A: The book examines the influence of the oral tradition on the written vernacular verse in England from the fifth to the fifteenth century, highlighting the interdependence of literacy and orality.
  • Q: Who is the author of this book? A: The author is Mark C. Amodio.
  • Q: What is the publication date of 'Writing the Oral Tradition'? A: The book was published on November 30, 2004.
  • Q: What is the page count of the book? A: The book contains 320 pages.
  • Q: What type of binding does this book have? A: This book is available in paperback binding.
  • Q: Is 'Writing the Oral Tradition' suitable for students? A: Yes, it is suitable for specialists and students interested in medieval literature, cultural studies, and oral theory.
  • Q: Does the book discuss the impact of the Norman Conquest on oral poetics? A: Yes, it discusses how oral poetics lost its central position after the Norman Conquest but continued to influence Middle English verse.
  • Q: Can I find elements of oral poetics in contemporary works? A: Yes, fragments of oral poetics can be found in contemporary prose, poetics, and film, continuing to convey traditional meanings.
  • Q: What subjects does the book cover? A: The book covers subjects related to criticism and theory, specifically focusing on oral poetics and literacy in medieval England.
  • Q: Is the book considered new or used? A: The item condition is listed as new.