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Your Everyday Art World (Mit Press),Used
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A critic takes issue with the art world's romanticizing of networks and participatory projects, linking them to the values of a globalized, neoliberal economy.Over the past twenty years, the network has come to dominate the art world, affecting not just interaction among art professionals but the very makeup of the art object itself. The hierarchical and restrictive structure of the museum has been replaced by temporary projects scattered across the globe, staffed by free agents hired on shortterm contracts, viewed by spectators defined by their predisposition to participate and make connections. In this book, Lane Relyea tries to make sense of these changes, describing a general organizational shift in the art world that affects not only material infrastructures but also conceptual categories and the construction of meaning.Examining art practice, exhibition strategies, art criticism, and graduate education, Relyea aligns the transformation of the art world with the advent of globalization and the neoliberal economy. He analyzes the new networked, participatory art worldhailed by some as inherently democraticin terms of the pressures of parttime temp work in a service economy, the calculated stockpiling of business contacts, and the anxious duty of being a 'team player' at work. Relyea calls attention to certain networked forms of artincluding relational aesthetics, multiple or fictive artist identities, and bricolaged objectsthat can be seen to oppose the values of neoliberalism rather than romanticizing and idealizing them. Relyea offers a powerful answer to the claim that the interlocking functions of the networkeach act of communicating, of connecting, or practiceare without political content.
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